I really don’t have any idea how to draw the porcupine’s feet — that’s the reason I always have them covered on the drawings.

This drawing is that kind of drawing that I thought I’m going to hate, but I found myself interested on it. I think it’s because of the tree trunk texture (the tree rings.) This is that type of drawing that made you go, “WHY DID I CHOOSE THIS PERSPECTIVE,” and you ended up with, “huh. It’s not THAT bad…”

The “crispy” reference is on the beef rasher/bacon on the plate, BTW.

I just finished an evening meeting and my brain is half-fried so I decided to use minimalistic approach — and I miss watching fireworks.

I did this drawing while listening to Ryuichi Sakamoto’s “Merry Christmas, Mr. Lawrence.” Somehow the mood fits.

I’m learning using a bigger-sized brush pen and I really love it! I learned about shadows and creating contrasts — and it’s quite a challenge to have a high-contrast drawings (usually reserved for dramatic effects) with cute models (THE FROOOOOGGGG)

Landscape-wise, I also learned about swamp and marsh area.

Being Lord Wolfsbane’s attendant for nearly half millennia makes Bartholomew understands and always ready of his Lord’s whims and inquiries.

Recently, Lord Wolfsbane is learning this thing called “healthy lifestyle and take care of what you eat and drink” and Bartholomew decided to not comment anything on it. It’s good for his Lord to have interests and actually stick to it — last time his Lord trying something that the youngsters refer to as “yoga”, they had to do an extensive memory manipulating on half a dozen of mortals because how does his Lord know that “flying among the clouds” is actually a figurative expression, not actually flying?

His Lord’s new lifestyle is low risk too. It makes the tomato seller on the farmers market really happy, so it’s a win-win solution.