• She handed me the comic book, “finally! It’s a shame that the publisher didn’t make it available outside Indonesia, hahah!”

    This is a comic book, Indonesian comic book, titled “Abdijiwo” by my sister.

    I honestly don’t have any words to write here, other than an immense pride of having my own little sister publishing a work, her own original characters (OCs), under one of the biggest — if not, THE biggest — publishers in Indonesia. “Abdijiwo” is a fantasy comedy comic, telling a story of a boy named Surya and his soul servant (abdijiwa) named Raden, and Raden’s adventures in finding other soul servants that were scattered all over Indonesia so he could go to the afterlife. The story is peppered with Indonesia’s local lore, ghosts, and ghouls in such an entertaining way. I particularly love how her drawings follow Indonesia’s traditional designs. This work initially started as an online comic under LINE Webtoon Indonesia, which I once wrote about here: ‘Abdijiwo’ by Retno Widya

    Unfortunately, the publisher didn’t continue the contract, so there is only one edition of the comic. That said, if you would like to get this comic, you can look for it on online marketplace or indie bookstores.

    Also, in case you want to check the initial version of “Abdijiwo”, you can check it on LINE Webtoon Indonesia here.

  • I love how this song is filled with pantun (Melayu poetic form).

    Berbolak balik berdolak dalik, lidah bercabang
    Always twisting your words, making excuses, speaking with a forked tongue.

    …

    Kau memang suka jaga tepi kain orang
    You really love to meddle in other people’s business.

  • Translation:

    “Who likes to romanticise living in the colonialism era?

    You might want to learn the story of Pinah; a 10-year-old native Indonesian girl, taken away to the Netherlands to be a slave and treated cruelly” — Source

    This reminds me of a Threads post, saying something along the lines of “a lot of us thinking that we would be part of the upper class whenever we are watching period pieces (“Bridgerton” series and the likes). In reality, most of us would be the lower class, peasants, or even worse. The servants? They were actually lucky and doing good in life.”

    … and that stuck with me ever since. Especially with Indonesia’s history.

    “We are standing on the top of our ancestors’ bones, blood, and graves”-indeed.

    The featured image is a painting by Nicolaas Pieneman, depicting the arrest of Prince Diponegoro, a Javanese prince, by the Dutch. Please note that Nicolaas was a Dutchman and this painting was commissioned by De Kock/De Kock’s family, hence the painting depicted a victorious colonizer and how De Kock, the general who arrested Diponegoro, portrayed as “a loving father who has to send his misguided son (Diponegoro) away”, despite the Dutch was the one who betrayed Diponegoro by luring the prince to a “peace treaty meeting” and arrested him instead.

    Do you want to see the one that made by an Indonesian? Here it is: “The Arrest of Pangeran Diponegoro” by Raden Saleh.

    He appears to be struggling to control his anger – as would be expected from Javanese gentry – while the Europeans’ eyes are static and avoid the eyes of others

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